Adobe 22011292 User Guide - Page 284
Assigning a Real-Time Effect to a track
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270 CHAPTER 13 Navigating the Multitrack View Off-Line Effects can be used on waveforms that are part of a Multitrack Session, but not in real-time. You'll need to switch to Edit View before you can apply them. Off-Line Effects are destructive, which means they always physically change the waveform they're applied to. (Don't worry - if Undo is active, you can easily reverse the "destruction".) Multitrack Effects may only be used in the Multitrack View. Real-Time Effects include: • Amplitude: Channel Mixer, Dynamics Processing, Hard Limiting, Pan/Expand, and Stereo Field Rotate • Delay Effects: Chorus, Delay, Dynamic Delay, Echo, Echo Chamber, Flanger, Full Reverb, Multitap Delay, Quick Verb, Reverb, and Sweeper Phaser • Filters: Dynamic EQ, Graphic Equalizer, Graphic Phase Shifter, Notch Filter, and Parametric Equalizer • Special: Convolution and Distortion • Time/Pitch: Stretch Off-Line Effects include: • Amplitude: Amplify, Envelope, and Normalize • Generate: DTMF Signals, Insert Audio From CD, Noise, and Tones • Filters: FFT Filter, Quick Filter, and Scientific Filters • Noise Reduction: Clip/Pop Eliminator, Clip Restoration, Hiss Reduction, and Noise Reduction • Special: Binaural Auto-Panner • Analyze: Statistics • Time/Pitch: Doppler Shifter and Pitch Bender Multitrack effects include: • Envelope Follower • Frequency Band Splitter • Vocoder Assigning a Real-Time Effect to a track There are several ways to add a Real-Time Effect to a track, but here are the two most common. The Organizer Window Way: 1 If you don't have the Organizer Window open, press the F9 key to display it. 2 Click on the Effects tab of the Organizer Window. 3 Choose the desired Real-Time Effect from the list. (Notice that the names of the non-Real-Time Effects are disabled or "grayed out".)