Autodesk 62205-051408-9001 User Guide - Page 726

About Film Grain, Removing Grain from Clips, Using the Remove Grain Operator

Page 726 highlights

27 Adding and Removing Grain Grain in images can be either beneficial or detrimental. The Add Grain and Remove Grain operators allow you to manage the graininess of your clips. About Film Grain The physical structure of film is a flexible support coated with emulsions of gelatine and light-sensitive silver halides. The silver halide crystals vary in size, shape, and sensitivity, and are randomly distributed within the emulsion. These crystals form clumps which are visible as grain. Fast films have a greater proportion of large crystals which form larger clumps, and therefore appear grainier. In areas of the image with less exposure, the largest crystals respond to the light, so shadow areas of negative contain the most grain. In well-exposed negative, these areas print very dark and the eye cannot distinguish the grain. Midtone regions display the most apparent graininess. Combustion includes two operators that manage grain in clips. It is possible to add grain to or remove grain from the RGB channels in any image using the Add Grain and Remove Grain operators. Grain in an image can be either beneficial or detrimental to your clips. In the background of an image, graininess can make it difficult to pull a clean and effective key. As an added effect, graininess can be effective in synthesizing a film quality in a video image. Removing Grain from Clips The Remove Grain operator is a general noise reducer that removes noise, softens the image, and selectively restores the sharp details of an image. In some cases, it may be best to remove the grain completely, and then manually restore the desired amount of grain using the Add Grain operator. In other cases, you may have material with completely different grain signatures that need to be composited together. It is then a good idea to remove the grain from one, and give it the grain of the other. With the Remove Grain operator, you can: • Remove grain from a film-originating image to transfer or match it to video quality. • Remove film grain from old film footage. • Remove noise on video clips. • Reduce the size of grain on images printed on film that was push-processed to compensate for overexposure or underexposure. • De-grain images before creating a matte to obtain a more precise result. Note: The amount of grain in each channel of a color is not generally uniform. Usually, the blue channel contains more grain than the red or green channels. Therefore, you obtain the best results using the Remove Grain operator if you de-grain each color channel separately. Using the Remove Grain Operator The Remove Grain operator consists of two filters: • An RGB-averaging filter that removes noise and softens the image. • An RGB-sharpening filter that selectively restores the sharp details of an image. 710

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Adding and Removing Grain
27
710
Grain in images can be either beneficial or
detrimental. The Add Grain and Remove Grain
operators allow you to manage the graininess
of your clips.
About Film Grain
The physical structure of film is a flexible support
coated with emulsions of gelatine and light-sensitive
silver halides. The silver halide crystals vary in size,
shape, and sensitivity, and are randomly distributed
within the emulsion. These crystals form clumps
which are visible as grain.
Fast films have a greater proportion of large crystals
which form larger clumps, and therefore appear
grainier.
In areas of the image with less exposure, the largest
crystals respond to the light, so shadow areas of
negative contain the most grain. In well-exposed
negative, these areas print very dark and the eye
cannot distinguish the grain. Midtone regions
display the most apparent graininess.
Combustion
includes two operators that manage
grain in clips. It is possible to add grain to or remove
grain from the RGB channels in any image using the
Add Grain and Remove Grain operators.
Grain in an image can be either beneficial or
detrimental to your clips. In the background of an
image, graininess can make it difficult to pull a clean
and effective key. As an added effect, graininess can
be effective in synthesizing a film quality in a video
image.
Removing Grain from Clips
The Remove Grain operator is a general noise
reducer that removes noise, softens the image, and
selectively restores the sharp details of an image.
In some cases, it may be best to remove the grain
completely, and then manually restore the desired
amount of grain using the Add Grain operator. In
other cases, you may have material with completely
different grain signatures that need to be composited
together. It is then a good idea to remove the grain
from one, and give it the grain of the other.
With the Remove Grain operator, you can:
Remove grain from a film-originating image to
transfer or match it to video quality.
Remove film grain from old film footage.
Remove noise on video clips.
Reduce the size of grain on images printed on film
that was push-processed to compensate for
overexposure or underexposure.
De-grain images before creating a matte to obtain a
more precise result.
Note:
The amount of grain in each channel of a color
is not generally uniform. Usually, the blue channel
contains more grain than the red or green channels.
Therefore, you obtain the best results using the
Remove Grain operator if you de-grain each color
channel separately.
Using the Remove Grain Operator
The Remove Grain operator consists of two filters:
An RGB-averaging filter that removes noise and
softens the image.
An RGB-sharpening filter that selectively restores
the sharp details of an image.